A landscape print by the French artist Rosemarie Auberson opened Rachel Comey's show (after a resonant drum prologue by the New York indie band I.U.D.). Splashed across the torso of a white sack dress, that image read quite literally, but elsewhere Comey's well-documented penchant for prints had taken a quieter turn. "I'm taking them to a more subtle, textural level," the designer said in a phone call a few days before her show. "And I like it."
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