Théallet's muse was the bad girl masquerading as a lady, like the ne plus ultra of the stylish but ill-behaved, Bonnie Parker. Perhaps because these Franco-American girls—each with a black beret, heavy eye liner, and long black-ribbon choker—need to be on-the-go, the more body-skimming look still had a bit of give. The skinny pencil skirt that opened the show, paired with a chic plunging satin blouse Théallet called a "smoking shirt," allowed the model a cool strut, hands in pockets. On fluid printed and chiffon silk dresses, a skinny length of ribbon that emerged from a ruched panel was used to create an easy shape. Even the collection's strictest moments had something a bit undone. [Style.com]
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